Throughout
her life, playwright and diplomat Clare Boothe Luce insatiably aimed for the
top. In “Rage for Fame,” published in 1997, Sylvia Jukes Morris traced how a
beautiful and intelligent girl, born of humble origins, married a millionaire
decades her senior; transformed herself as managing editor at Vanity Fair,
wrote her hit play, “The Women,” married again, to Henry Luce of Time Inc.
“Price
of Fame” continues the second half of this amazing story, clearly capturing
the successes and pathos of a narcissist infused with shame and self-hate.
(“Nobody could love me who really knew me.”)
Fame
Clare now has, but with it came personal loss: the death of her only child; of
her brother; the suicide of a close friend; the disappointment in her
dysfunctional marriage to Luce, her love and enemy. Their extramarital affairs,
along with Clare’s schemes to extract millions, is told without censure. Those
millions, later bequested to institutions and charities, also significantly
benefited women entering the field of mathematics, science and engineering.
The
book opens with Clare’s election in 1942 as a Republican congressman from
Connecticut. The only female member of the House
Military Affairs Committee, she traveled to Europe, visiting liberated Nazi
concentration camps. She crossed the aisle to work with Democrats, and is
credited with advancing 18 initiatives, including human rights, equal pay, and
the rehabilitation of veterans, and the creation of the Atomic Energy
Commission. No fan of FDR, she said he had created a nation of “hypochondriacs,
introverts and psychotics.” Nonetheless, she was a friend of his wife, Eleanor
(both were advocates for civil rights). After Clare’s conversion to Roman
Catholicism, she was appointed ambassador to Italy, the first woman ever
appointed ambassador to a major foreign power, playing a role in negotiating a
peaceful resolution to the Trieste
Crisis.
Working
in a man’s world, she easily vanquished dullards with “lawyerly logic,”
eliciting the admiration of statesmen, among them Bernard Baruch, Winston
Churchill, Dwight Eisenhower and Richard Nixon, who thought her a “cinch to
become the first woman president.” Clare left Congress in 1946, convinced that
politics was “the refuge of second-class minds.” She remained an active member
of 26 boards, dealing with issues ranging from arms control and
counterintelligence to accuracy in the media. Under Presidents Nixon and
Reagan, she served on the President’s Foreign Intelligence Advisory Board. In
1983, Reagan awarded her the Presidential Medal of Freedom.
A
running theme throughout Clare’s life is her shimmering sexuality — a lethal
cocktail of luminosity, charm, intelligence and wit. One of her bon mots was
“No good deed goes unpunished.” Her seductions were legendary; the editor Fleur
Cowles joked that she slept with every general on the Western front. There were
those who resented Clare’s “conceited
assumption” that “she has everybody eating out of her hands in a few
minute’s time.” Perhaps she can be forgiven when so many letters to her are
filled with the yearning fantasies of countless males. Well into her 60s, she
captivated men decades her junior.
Nightfall
found her suffering “a terrible attack of the dismals.” Bravely, Clare kept
repeated bouts of depression at bay with a roster of interests that included
her major art collection, scuba diving, the theater and screenwriting. Her
energy flagged only at the end, at her death of brain cancer in 1987, at age
84.
Clare
attempted her own autobiography, but got no further than: “One gets born. From
there on, it’s hell, or a little better, with a rare touch of heaven, all the
way to the grave.” A better self-portrait was a haunting picture she painted of
a woman in utter despair. Reluctant to revisit tragedy and secrets, Clare
repeatedly tried to dissuade Sylvia Jukes Morris from writing her life, saying
it didn’t “stack up.”
Plowing
her way through 460,000 items of Clare’s restricted papers at the Library of
Congress, a collection bigger than that of most presidents, Ms. Morris was the
only author given complete access. She has also uncovered rich sources
elsewhere, among them the diary entries of Time Inc. employees and the
tape-recordings of Clare’s reactions as she tripped on LSD in a pioneering
experiment. It is the author’s steady, sensitive handling of the material, told
with humor and objectivity, that makes this biography so poignant and profound.
The
author’s skill at delving deep into sources was eventually rewarded by Clare
herself, who confessed she felt closest to Ms. Morris “because you know
everything.” However, it is the late Librarian of Congress, Daniel Boorstin,
who said it best: “How often does it happen,” he asked, “this coming together
of a great subject and an ideal biographer?” That observation beautifully
applies to “Price of Fame,” and it is nothing short of a triumph.
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